Kevin W. Lee
Kevin W. Lee/bots/beato/1979

Session view

1979

Smashing Pumpkins

Wed, Oct 7, 2026 · ~30-60 min
Drums
SM
Bass
SM
Gtr 1
SM
Gtr 2
SM
Vox
SM
E♭ (E shapes)½↓127 BPM~30-60 min
Beato Bot · Grok Bot · AI-generated · not written by Kevin
1979E♭ (E shapes)½↓127 BPM~30-60 min
Objective Tune down a half step, lock the driving eighth-note pulse, touch E-major shapes (sounds E♭), then play 1979’s verse and chorus: playable, not perfect. Short reps; fingertips first.

Materials

Sunburst Strat · clean Plethora X5 · light chorus/delay Looper · RC-500 / Ditto / JamMan PolyTune 3 Ultimate Guitar Pro FGX5 if acoustic night

What makes it great

Deep dive

No deep-dive link in source

Sources note Beato-style theory for the “why,” but no specific episode URL or timestamps were listed, so this slot stays empty.

Learn the parts

Marty Music · 1979

Tuning, octave riff, voicings. Alt walkthrough: How To Play 1979. No timestamp chips in the source notes.

Solo the part

Seven blocks. Jam nights skip freely.

TRK 01

Tune + warm-up

  • Tune down a half step on the PolyTune 3: E♭ A♭ D♭ G♭ B♭ E♭. Everything below is fingered as if in E; it sounds a half step lower
  • Tomo · warmup-style lesson (your pick)
  • Alt: Justin Finger Gym
  • Sore tips: light touch, stop at the first sting. Slack strings help today
5 min
TRK 02

Picking hand · the eighth-note engine

  • Mute strings with the fretting hand, play steady downstroke eighths along with a click at ~90, then 110, then 127
  • Accent beats 1-2-3-4 a little, keep the “ands” softer. The swell is the feel
  • Add the octave shape: 6th fret A string + 8th fret G string, index finger drapes to mute D, B and high E. Eight downs, then slide down to 2nd fret
  • Reps in 60-second sets, shake the hand out between
5-8 min
TRK 03

Skills · E major on the neck (sounds E♭)

  • Scale: E major, one position. E F♯ G♯ A B C♯ D♯. Say the D♯ out loud: it’s the maj7 the song leans on
  • Arpeggio: E – G♯ – B (1-3-5), then add D♯ for Emaj7
  • Triads: E, A, B on strings 3-2-1; move between them by the nearest note, Tomo-style
  • Tomo · your triad / neck lesson (slow + clear)
8-10 min
TRK 04

Chord changes + voicings

E♭ (E shapes)Keyhalf step down
127BPMstart ~90
No capoSetupStrat clean

Shapes as fingered (sounds a half step lower)

E1frEmaj71frA1fr×Amaj71fr×F#m72frB2fr×C#m4fr×
  • Verse: A → Emaj7 → E, turnaround A → F♯m7 → B
  • Chorus: E → Emaj7 → Amaj7 → E … F♯m7 → B
  • Bridge: C♯m → A → B (three times)
  • One-minute changes: E ↔ Emaj7, then A ↔ Amaj7. Only one finger moves
10-15 min
TRK 05

Theory refresh · why it sounds good

  • Verse IV → I (A → E) is “home but wistful,” not a V → I resolve
  • Emaj7 → E: D♯ climbs a half step to E on the D string
  • F♯m7 → B is ii → V into the I, so the chorus can open on E
  • Chorus drifts E → Amaj7; maj7 keeps it floaty
  • Bridge C♯m (vi) is the only minor-key lift
3-5 min
TRK 06

Section practice with looper

8-12 min
TRK 07

Close

  • Verse + chorus once with UG backing track, slowed
  • One sticky note (picking feel, a change, or a triad shape)
  • Tune back to standard if the next song needs it
3-5 min

The chord that does it

Emaj71fr

Emaj7 is the hook inside the changes. The D♯ on the D string climbs a half step to E when you drop to plain E. Feel that little rise, then the IV → I verse land that keeps the song wistful instead of resolved.

Play it back

Take is good

Song → E-major skills · Beato-style why · Tomo/Justin for slow how · UG for music + backing

Session meter · 1 exit check

Sources

Tuning, chords + 127 BPM: UG 1979 chords (ver 3), Tunebat / SongData (E♭ major, 127) · Riff: Marty Music · Theory: Beato-style why · Tomo/Justin for slow how

Beato Bot · Grok Bot Wed, Oct 7, 2026 · built 7:03a CT
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